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Louis Armstrong (August 4, 1901 – July 6, 1971),〔Armstrong said he was not sure exactly when he was born, but celebrated his birthday on July 4. He usually gave the year as 1900 when speaking in public (although he used 1901 on his Social Security and other papers filed with the government). Using Roman Catholic Church documents from when his grandmother took him to be baptized, New Orleans music researcher Tad Jones established Armstrong's actual date of birth as August 4, 1901. With various other pieces of collaborative evidence, this date is now accepted by Armstrong scholars. See also ''age fabrication''. Armstrong had no middle name, but a 1949 ''Time'' magazine profile gave him the middle name of Daniel. The census and baptismal records confirms he had no middle name.〕 nicknamed Satchmo〔For "satchel-mouth."〕 or Pops, was an American jazz trumpeter, composer and singer who was one of the pivotal and most influential figures in jazz music. His career spanned from the 1920s to the 1960s, covering many different eras of jazz. Coming to prominence in the 1920s as an "inventive" trumpet and cornet player, Armstrong was a foundational influence in jazz, shifting the focus of the music from collective improvisation to solo performance. With his instantly recognizable gravelly voice, Armstrong was also an influential singer, demonstrating great dexterity as an improviser, bending the lyrics and melody of a song for expressive purposes. He was also skilled at scat singing. Renowned for his charismatic stage presence and voice almost as much as for his trumpet-playing, Armstrong's influence extends well beyond jazz music, and by the end of his career in the 1960s, he was widely regarded as a profound influence on popular music in general. Armstrong was one of the first truly popular African-American entertainers to "cross over", whose skin color was secondary to his music in an America that was extremely racially divided. He rarely publicly politicized his race, often to the dismay of fellow African-Americans, but took a well-publicized stand for desegregation during the Little Rock Crisis. His artistry and personality allowed him socially acceptable access to the upper echelons of American society which were highly restricted for black men of his era. == Early life == Armstrong often stated that he was born on July 4, 1900,〔Teachout, Terry, Pops, a life of Louis Armstrong," Houghton Mifflin, 2009, page 25. ISBN 978-0-15-101089-9〕〔(The TIME 100. ''Louis Armstrong''. ) TIME, Stanley Crouch, June 8, 1998. "For many years it was thought that Armstrong was born in New Orleans on July 4, 1900, a perfect day for the man who wrote the musical Declaration of Independence for Americans of this century. But the estimable writer Gary Giddins discovered the birth certificate that proves Armstrong was born Aug. 4, 1901." Retrieved January 8, 2009.〕 a date that has been noted in many biographies. Although he died in 1971, it was not until the mid-1980s that his true birth date of August 4, 1901 was discovered by researcher Tad Jones through the examination of baptismal records.〔(When is Louis Armstrong's birthday? ) The Official Site of the Louis Armstrong House & Archives.〕 Armstrong was born into a poor family in New Orleans, Louisiana, and was the grandson of slaves. He spent his youth in poverty, in a rough neighborhood known as "the Battlefield", which was part of the Storyville legal prostitution district. His father, William Armstrong (1881–1922), abandoned the family when Louis was an infant and took up with another woman. His mother, Mary "Mayann" Albert (1886–1927), then left Louis and his younger sister, Beatrice Armstrong Collins (1903–1987), in the care of his grandmother, Josephine Armstrong, and at times, his Uncle Isaac. At five, he moved back to live with his mother and her relatives, and only saw his father in parades. He attended the Fisk School for Boys, where he most likely had early exposure to music. He brought in some money as a paperboy and also by finding discarded food and selling it to restaurants, but it was not enough to keep his mother from prostitution. He hung out in dance halls close to home, where he observed everything from licentious dancing to the quadrille. For extra money he also hauled coal to Storyville, and listened to the bands playing in the brothels and dance halls, especially Pete Lala's, where Joe "King" Oliver performed as well as other famous musicians who would drop in to jam. After dropping out of the Fisk School at age eleven, Armstrong joined a quartet of boys who sang in the streets for money. He also started to get into trouble. Cornet player Bunk Johnson said he taught Armstrong (then 11) to play by ear at Dago Tony's Tonk in New Orleans,〔''Current Biography 1944'', pp. 15–17.〕 although in his later years Armstrong gave the credit to Oliver. Armstrong hardly looked back at his youth as the worst of times but drew inspiration from it instead: "Every time I close my eyes blowing that trumpet of mine—I look right in the heart of good old New Orleans... It has given me something to live for." He also worked for a Lithuanian-Jewish immigrant family, the Karnofskys, who had a junk hauling business and gave him odd jobs. They took him in and treated him like family; knowing he lived without a father, they fed and nurtured him. He later wrote a memoir of his relationship with the Karnofskys titled, ''Louis Armstrong + the Jewish Family in New Orleans, La., the Year of 1907.'' In it he describes his discovery that this family was also subject to discrimination by "other white folks" nationalities who felt that they were better than the Jewish race... "I was only seven years old but I could easily see the ungodly treatment that the White Folks were handing the poor Jewish family whom I worked for." Armstrong wore a Star of David pendant for the rest of his life and wrote about what he learned from them: "how to live—real life and determination."〔Teachout, Terry. ("Satchmo and the Jews" ) ''Commentary'' magazine, 1 November 2009.〕 The influence of Karnofsky is remembered in New Orleans by the Karnofsky Project, a non-profit organization dedicated to accepting donated musical instruments to "put them into the hands of an eager child who could not otherwise take part in a wonderful learning experience."〔("The Karnofsky Project" ).〕 Armstrong developed his cornet playing skills by playing in the band of the New Orleans Home for Colored Waifs, where he had been sent multiple times for general delinquency, most notably for firing his stepfather's pistol into the air at a New Year's Eve celebration, as police records confirm. Professor Peter Davis (who frequently appeared at the home at the request of its administrator, Captain Joseph Jones)〔''Current Biography 1944'' p. 16.〕 instilled discipline in and provided musical training to the otherwise self-taught Armstrong. Eventually, Davis made Armstrong the band leader. The home band played around New Orleans and the thirteen-year-old Louis began to draw attention by his cornet playing, starting him on a musical career.〔Bergreen, 1997, p. 78.〕 At fourteen he was released from the home, living again with his father and new step-mother, Gertrude, and then back with his mother and thus back to the streets and their temptations. Armstrong got his first dance hall job at Henry Ponce's where Black Benny became his protector and guide. He hauled coal by day and played his cornet at night. He played in the city's frequent brass band parades and listened to older musicians every chance he got, learning from Bunk Johnson, Buddy Petit, Kid Ory, and above all, Joe "King" Oliver, who acted as a mentor and father figure to the young musician. Later, he played in brass bands and riverboats of New Orleans, and began traveling with the well-regarded band of Fate Marable, which toured on a steamboat up and down the Mississippi River. He described his time with Marable as "going to the University," since it gave him a much wider experience working with written arrangements. In 1919, Joe Oliver decided to go north and resigned his position in Kid Ory's band; Armstrong replaced him. He also became second trumpet for the Tuxedo Brass Band, a society band.〔Bergreen, 1997, p. 142.〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Louis Armstrong」の詳細全文を読む スポンサード リンク
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